Author: Massimo Ricci
Publication: Touching Extremes
Two synonyms associated to Rothkamm's name considered as an adjective – frank – are “open” and “transparent”; that’s exactly what the tracks shaping this record feel like. Thanks to a set of algorithms and computers put in motion without secondary human intervention, we benefit from a valuable therapy consisting of uncomplicated – minimal, you may say - electronic designs that, at the same time, are austerely efficient and, in a couple of examples, plainly stunning.
“Gui” utilizes a modified sliding guitar sample as a hooking “theme” in such a tantalizing fashion that Wim Wenders might wish to grab it for the second edition of Paris, Texas; “OOO” makes us wonder instead if a reiteration of overlaid choir scraps is indeed the sound that will be heard after our vanishing. Perhaps the main aspect to be chewed over is the music's overall tendency to reveal facets that are both positively “present-day” and hinting to the past. More than “ambient”, in fact, one tends to think about certain episodes as some sort of slowed-down development of constructions grown from selected branches of the German cosmic era. The impeccable linearity and the untainted geometry of these structures are definitely relatable to that area of exploration.
This notwithstanding, a clear reference to the typically uncompromising traits of Rothkamm's work is also detectable. Creativity that doesn't need excess to affirm its value, only the sureness and the deep conviction that an idea, or even a single fragment, is sufficient for the instigation of an important artistic signal if that lone element is given the proper light and angles. There lie the rewarding aspects of Alt, sounds that enhance the positive features perceived by the mind during a listening session, stimulating a dynamic response that goes well beyond the mere “I appreciate it/I don't” feedback.
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